"Daphnis et Chloë: Suite No. 2, M. 57b" by London Symphony Orchestra was released on February 14, 2012. Daphnis et Chloë: Suite No. 2, M. 57b appears to be safe for all ages as it is not explicit. The track order of this song in Karol Szymanowski's "Impressionist Masterminds" album is number 14 out of 50. Daphnis et Chloë: Suite No. 2, M. 57b is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Daphnis et Chloë: Suite No. 2, M. 57b by London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Prologue: One Ring to Rule Them All | Howard Shore | F Major | 1 | 7B | 126 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 28, Romeo with Friar Laurence | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 95 BPM | ||
For The Love Of A Princess | James Horner, London Symphony Orchestra | A Minor | 1 | 8A | 69 BPM | ||
Carmen Suite No. 2: II. Habanera | Georges Bizet, Russian Philharmonic Orchestra, Samuel Friedmann | D Major | 0 | 10B | 98 BPM | ||
End Credits - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | E♭ Major | 0 | 5B | 67 BPM | ||
The Bridge of Khazad Dum | Howard Shore | F Minor | 5 | 4A | 84 BPM | ||
Main Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 100 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: No. 1, Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM |
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