"Ach, sollte doch die ganze Welt, TWV 1:32: II. Besser Geld und Gut vermissen" by Georg Philipp Telemann, Rebekka Stolz, Neumeyer Consort, Felix Koch was released on January 14, 2022. The duration of Ach, sollte doch die ganze Welt, TWV 1:32: II. Besser Geld und Gut vermissen is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Ach, sollte doch die ganze Welt, TWV 1:32: II. Besser Geld und Gut vermissen's duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 64 in Französischer Jahrgang, Vol. 1 by Georg Philipp Telemann, Neumeyer Consort, Felix Koch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Ach, sollte doch die ganze Welt, TWV 1:32: II. Besser Geld und Gut vermissen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ach, sollte doch die ganze Welt, TWV 1:32: II. Besser Geld und Gut vermissen by Georg Philipp Telemann, Rebekka Stolz, Neumeyer Consort, Felix Koch is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In F Major, Op. 6, No. 2: IV. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | F Major | 3 | 7B | 112 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: II. Tendrement | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | F♯ Minor | 1 | 11A | 175 BPM | ||
Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: I. Allegro | Alessandro Marcello, Venice Baroque Orchestra | B Major | 1 | 1B | 138 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Symphony in G Major, Op. 3 No. 3, WolS G3: IV. Presto | Johann Stamitz, Musica Viva, Alexander Rudin | D♭ Major | 4 | 3B | 147 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Concerto à 4 in G Major, TWV 43:G13: I. Moderato | Georg Philipp Telemann, Concerto Melante | F♯ Major | 1 | 2B | 79 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: II. Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 80 BPM | ||
Abdelazar Suite, Z. 570: IV. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Cello Sonata in F Major, Op. 1, No. 1: II. Allegro | Benedetto Marcello, Collegium Pro Musica | E Major | 1 | 12B | 114 BPM |
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