"Bist Du Bei Mir, BWV508 (G.H. Stölzel)" by Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach was released on December 22, 2006. The duration of Bist Du Bei Mir, BWV508 (G.H. Stölzel) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Bist Du Bei Mir, BWV508 (G.H. Stölzel)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 38 in Bach Edition Vol. 16, Chamber Music Part: 13 by Pieter-Jan Belder. Based on our statistics, Bist Du Bei Mir, BWV508 (G.H. Stölzel)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bist Du Bei Mir, BWV508 (G.H. Stölzel) by Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
Premier livre: Rondeau en ré mineur | Jacques Duphly, Christophe Rousset | D♭ Minor | 4 | 12A | 90 BPM | ||
Overture In The French Style In B Minor BWV 831, Ouvertüre Nach Französischer Art, H Moll BWV 831: Echo | Pieter-Jan Belder, Johann Sebastian Bach, Arts Music Recording, Rotterdam | A Minor | 5 | 8A | 96 BPM | ||
Concerto a cinque No. 11, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 125 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 | Luc Beauséjour | G Minor | 2 | 6A | 89 BPM | ||
Bach, JS: Trio Sonata in G Major, BWV 1039: III. Adagio e piano | Johann Sebastian Bach, Marc Hantai/Ageet Zweistra/Jerome Hantai/Pierre Hantaï | G Major | 3 | 9B | 92 BPM | ||
Sonata for 2 Violins in B Minor, Op. 12 No. 1: III. Allegro assai | Jean-Marie Leclair, Florian Deuter, Monica Waisman | B♭ Minor | 1 | 3A | 103 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: III. Affetuoso | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | A Major | 1 | 11B | 103 BPM | ||
Organ Concertos, Op. 4, Organ Concerto No. 1 in G Minor, HWV 289: III. Adagio | George Frideric Handel, Richard Egarr, Academy of Ancient Music | E♭ Minor | 0 | 2A | 68 BPM |
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