Barber: 3 Songs, Op. 45: III. "O Boundles, Boundless Evening"
Samuel Barber, Thomas Allen, Roger Vignoles
Barber - Vocal and Chamber Works
2:54 1994
BPM
129
Key
D♭ Minor
Camelot
12A

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Barber: 3 Songs, Op. 45: III. "O Boundles, Boundless Evening" - Samuel Barber, Thomas Allen, Roger Vignoles Information

Acousticness
99%
Danceability
25%
Energy
9%
Instrumentalness
58%
Liveness
11%
Loudness
65%
Speechiness
4%
Valence
4%
Popularity
Loudness
-20.988 dB

Summary

"Barber: 3 Songs, Op. 45: III. "O Boundles, Boundless Evening"" by Samuel Barber, Thomas Allen, Roger Vignoles was released on 1994. The duration of Barber: 3 Songs, Op. 45: III. "O Boundles, Boundless Evening" is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Barber: 3 Songs, Op. 45: III. "O Boundles, Boundless Evening"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 19 in Barber - Vocal and Chamber Works by Samuel Barber, Thomas Allen, Endellion String Quartet, Roger Vignoles. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Barber: 3 Songs, Op. 45: III. "O Boundles, Boundless Evening"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Barber: 3 Songs, Op. 45: III. "O Boundles, Boundless Evening" BPM

The tempo marking of Barber: 3 Songs, Op. 45: III. "O Boundles, Boundless Evening" by Samuel Barber, Thomas Allen, Roger Vignoles is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Barber: 3 Songs, Op. 45: III. "O Boundles, Boundless Evening" Key

This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

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ISRC
GBAYC9302976
Label
L-M Records/RCA Records

Section: 0.5631675720214844

End: 0.5667934417724609