Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante)
Benjamin Britten, François Leleux
Britten & Poulenc: Works for Oboe
2:13 1995
BPM
130
Key
E Minor
Camelot
9A

Embed

Share Link

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante) - Benjamin Britten, François Leleux Information

Acousticness
97%
Danceability
33%
Energy
6%
Instrumentalness
68%
Liveness
19%
Loudness
57%
Speechiness
5%
Valence
15%
Popularity
Loudness
-25.791 dB

Summary

"Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante)" by Benjamin Britten, François Leleux was released on 1995. The duration of Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 24 in Britten & Poulenc: Works for Oboe by François Leleux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante) BPM

The tempo marking of Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante) by Benjamin Britten, François Leleux is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante) Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 1, P. 109: II. Gagliarda: Allegro MarcatoOttorino Respighi, RTÉ National Symphony OrchestraD Major110B90 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinViolin Concerto in D Minor, Op. 47: III. Allegro, ma non tantoJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinD Major210B112 BPM
Simple Symphony, Op. 4: III. Sentimental Sarabande by Benjamin Britten, Camerata Nordica, Terje TonnesenSimple Symphony, Op. 4: III. Sentimental SarabandeBenjamin Britten, Camerata Nordica, Terje TonnesenG Minor06A85 BPM
La pentola magica, P. 129: Preludio by Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, AdrianoLa pentola magica, P. 129: PreludioOttorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, AdrianoD Minor07A91 BPM
Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé) by Claude Debussy, Mstislav Rostropovich, Benjamin BrittenSonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé)Claude Debussy, Mstislav Rostropovich, Benjamin BrittenF♯ Minor011A134 BPM
Simple Symphony, Op. 4: IV. Frolicsome Finale by Benjamin Britten, English Chamber OrchestraSimple Symphony, Op. 4: IV. Frolicsome FinaleBenjamin Britten, English Chamber OrchestraG Major49B78 BPM
Japanese Suite, Op. 33: V. Dance under the Cherry Tree by Gustav Holst, Ulster Orchestra, Joann FallettaJapanese Suite, Op. 33: V. Dance under the Cherry TreeGustav Holst, Ulster Orchestra, Joann FallettaB♭ Major06B85 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Fauré: Élégie, Op. 24 (Orchestral Version) by Gabriel Fauré, Paavo Järvi, Orchestre de ParisFauré: Élégie, Op. 24 (Orchestral Version)Gabriel Fauré, Paavo Järvi, Orchestre de ParisA♭ Major04B89 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto by Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraSibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro moltoJean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraA♭ Major14B149 BPM
ISRC
FRZ149513190
Label
L-M Records/RCA Records

Section: 0.66806960105896

End: 0.6723575592041016