Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante) - Benjamin Britten, François Leleux Information

Acousticness: 97%
Danceability: 33%
Energy: 6%
Instrumentalness: 68%
Liveness: 19%
Loudness: 57%
Speechiness: 5%
Valence: 15%
Popularity: 2%
Loudness: -25.791 dB

Summary

"Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante)" by Benjamin Britten, François Leleux was released on 1995. The duration of Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 24 in Britten & Poulenc: Works for Oboe by François Leleux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante) BPM

The tempo marking of Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante) by Benjamin Britten, François Leleux is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: IV. Bacchus (Allegro pesante) Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction	Sergei Prokofiev, André Previn, London Symphony Orchestra	B Major	0	1B	105 BPM
Symphonie fantastique, Op. 14: II. Un bal	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	A Major	1	11B	107 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM
L'Oiseau de feu (1911 Version): X. Khorovod (Ronde) des princesses	Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä	F Minor	0	4A	68 BPM
Première rhapsodie, L. 116: Rêveusement lent	Claude Debussy, Franklin Cohen, Cleveland Orchestra, Pierre Boulez	E♭ Minor	0	2A	109 BPM
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace	Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan	E Minor	1	9A	120 BPM
Fünf Lieder: Ich Wandle Unter Blumen	Alma Mahler, Barbara Hannigan, Reinbert de Leeuw	F♯ Major	0	2B	75 BPM
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato	Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor	E Major	1	12B	83 BPM
Symphony No. 1 in D Major "Titan": Blumine (Original second movement)	Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz	C Major	0	8B	64 BPM
The Last Rose Of Summer	Traditional, Sir Peter Pears, Benjamin Britten	E♭ Major	1	5B	143 BPM

ISRC: FRZ149513190
Label: L-M Records/RCA Records

Section: 0.7406830787658691

End: 0.7435810565948486