Johann Samuel Schroeter, Murray Perahia, English Chamber Orchestra's 'Piano Concerto in C Major, Op. 3 No. 3: III. Rondeau' came out on 1984. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Murray Perahia's "Mozart: 3 Piano Concertos After J.C. Bach, K. 107 - Schröter: Piano Concerto in C Major, Op. 3 No. 3" album is number 10 out of 10. Based on our statistics, Piano Concerto in C Major, Op. 3 No. 3: III. Rondeau's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto in C Major, Op. 3 No. 3: III. Rondeau by Johann Samuel Schroeter, Murray Perahia, English Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Études, Op. 25: No. 11 in A Minor "Winter Wind" | Frédéric Chopin, Murray Perahia | D♭ Major | 0 | 3B | 80 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Aria (After Serenata Veneziana from Andromeda liberata, RV Anh. 117) | Antonio Vivaldi, Martin Stadtfeld | E Minor | 1 | 9A | 141 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato | Edvard Grieg, Sir Colin Davis, Murray Perahia, Bavarian Radio Symphony Orchestra | E Minor | 2 | 9A | 152 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Vivaldi: Violin Concerto in F Major, RV 293 "L'autunno" (No. 3 from "Il cimento dell'armonia e dell'inventione", Op. 8): II. Adagio molto | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | B Minor | 0 | 10A | 112 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
The Prince of Denmark's March | Jeremiah Clarke, Wynton Marsalis, Anthony Newman, English Chamber Orchestra | D Major | 2 | 10B | 127 BPM |
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