Antonio Vivaldi, Martin Stadtfeld made "Aria (After Serenata Veneziana from Andromeda liberata, RV Anh. 117)" available on February 19, 2021. The duration of Aria (After Serenata Veneziana from Andromeda liberata, RV Anh. 117) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Aria (After Serenata Veneziana from Andromeda liberata, RV Anh. 117)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Aria (After Serenata Veneziana from Andromeda liberata, RV Anh. 117) and no other songs are present in the album, we classify this track as a single. Based on our statistics, Aria (After Serenata Veneziana from Andromeda liberata, RV Anh. 117)'s popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Aria (After Serenata Veneziana from Andromeda liberata, RV Anh. 117) by Antonio Vivaldi, Martin Stadtfeld is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Prélude in B-Flat Major, Op. 11, No. 21 - Upright Version | Alexander Scriabin, Julius Asal | G Minor | 1 | 6A | 135 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Song of the Birds | Pablo Casals, Sol Gabetta | D Major | 1 | 10B | 68 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM |
Section: 0.6287405490875244
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