"Symphony No. 4, Op. 60 "Symphonie concertante": I. Moderato - 1953 Recording" by Karol Szymanowski, Arthur Rubinstein, Los Angeles Philharmonic, Alfred Wallenstein was released on June 9, 2021. Since Symphony No. 4, Op. 60 "Symphonie concertante": I. Moderato - 1953 Recording is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Szymanowski: Concerto pour violon No. 1, Symphonie No. 4, Mythes & 4 Mazurkas". In this album, this song's track order is #7. In terms of popularity, Symphony No. 4, Op. 60 "Symphonie concertante": I. Moderato - 1953 Recording is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 4, Op. 60 "Symphonie concertante": I. Moderato - 1953 Recording by Karol Szymanowski, Arthur Rubinstein, Los Angeles Philharmonic, Alfred Wallenstein having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 89 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
Symphony No. 3 in B-Flat Major, Op. 27 "Song of the Night": III. Largo | Karol Szymanowski, London Symphony Orchestra, Valery Gergiev, Toby Spence, London Symphony Chorus | A Major | 0 | 11B | 87 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
Fantasiestücke, Op. 12: I. Des Abends | Robert Schumann, Daniel Barenboim | F Major | 1 | 7B | 74 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Variations in B-Flat Minor, Op. 3: Variation XII. Allegro con fuoco | Karol Szymanowski, Martin Jones | B♭ Major | 4 | 6B | 91 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM |
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