Ludwig van Beethoven, Mikhail Pletnev made "24 Variations on "Venni Amore" in D Major, WoO 65: Variation VIII" available on January 1, 1997. With 24 Variations on "Venni Amore" in D Major, WoO 65: Variation VIII being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 68 in Beethoven: Variations & Bagatelles by Ludwig van Beethoven, Mikhail Pletnev. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 24 Variations on "Venni Amore" in D Major, WoO 65: Variation VIII is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 24 Variations on "Venni Amore" in D Major, WoO 65: Variation VIII by Ludwig van Beethoven, Mikhail Pletnev is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Robert Schumann, Op. 20: Var. 6 | Clara Schumann, Lisa Maria Schachtschneider | B Minor | 0 | 10A | 77 BPM | ||
Variations sérieuses, Op. 54, MWV U156: Tema. Andante sostenuto | Felix Mendelssohn, Jan Lisiecki | D Minor | 0 | 7A | 135 BPM | ||
16 Waltzes, Op. 39: 14. In G Sharp Minor | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A♭ Major | 1 | 4B | 179 BPM | ||
Sonata for Violoncello and Piano No. 1 in C Minor, Op. 32: I. Allegro | Camille Saint-Saëns, Mischa Maisky, Daria Hovora | F Minor | 1 | 4A | 76 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Sonatina in G Major, Op. 36 No. 5: II. Allegretto moderato 'Original Swiss Air' | Muzio Clementi, Howard Shelley | C Major | 0 | 8B | 70 BPM | ||
Dolly, Op.56: 6. Le pas Espagnol | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 126 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Piano Sonata No. 24 In F Sharp Major, Op. 78 "For Therese": 2. Allegro vivace | Ludwig van Beethoven, Daniel Barenboim | F♯ Major | 1 | 2B | 75 BPM | ||
Piano Sonata No. 11 In B Flat Major, Op. 22: 1. Allegro con brio | Ludwig van Beethoven, Daniel Barenboim | B♭ Major | 1 | 6B | 71 BPM |
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