"Aniara: Act I Scene 3: Jag sköter miman, lugnar emigranter" by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg was released on January 1, 2002. The duration of Aniara: Act I Scene 3: Jag sköter miman, lugnar emigranter is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Aniara: Act I Scene 3: Jag sköter miman, lugnar emigranter's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 42 in Aniara by Karl-Birger Blomdahl, Stig Westerberg. Aniara: Act I Scene 3: Jag sköter miman, lugnar emigranter is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aniara: Act I Scene 3: Jag sköter miman, lugnar emigranter by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
3 Short Pieces: II. Grazioso | Karl-Birger Blomdahl, Hans Pålsson | F Minor | 0 | 4A | 138 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Aniara: Act I Scene 2: Instrumental | Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg | E Minor | 3 | 9A | 176 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Symphony No. 3 in D Minor, Part II: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 120 BPM | ||
Mélodies persanes, Op. 26: No. 2, La Splendeur vide | Camille Saint-Saëns, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Trio for Clarinet, Cello and Piano: IV. Tranquillo | Karl-Birger Blomdahl, Kjell-Inge Stevensson, Ola Karlsson, Anders Kilstrom | A Major | 0 | 11B | 67 BPM | ||
Stabat Mater, FP 148: 12. Quando corpus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 1 | 1A | 94 BPM |
Section: 1.0821540355682373
End: 1.0886507034301758