Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
Ludwig van Beethoven, Kun-Woo Paik
Beethoven: Sonates Vol.2
6:56 January 1, 2007
BPM
65
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto - Ludwig van Beethoven, Kun-Woo Paik Information

Acousticness
100%
Danceability
21%
Energy
0%
Instrumentalness
88%
Liveness
16%
Loudness
28%
Speechiness
5%
Valence
22%
Popularity
Loudness
-42.988 dB

Summary

Ludwig van Beethoven, Kun-Woo Paik's 'Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto' came out on January 1, 2007. Since Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 28 in Beethoven: Sonates Vol.2 by Ludwig van Beethoven, Kun-Woo Paik. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto BPM

The tempo marking of Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto by Ludwig van Beethoven, Kun-Woo Paik is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonata in A Minor, L 241 by Domenico Scarlatti, Vladimir HorowitzSonata in A Minor, L 241Domenico Scarlatti, Vladimir HorowitzE Minor09A79 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
The Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – Allegro by Antonio Vivaldi, Adrian Chandler, La SerenissimaThe Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – AllegroAntonio Vivaldi, Adrian Chandler, La SerenissimaG Minor26A147 BPM
Le roi s'amuse: Final by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: FinalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Minor18A94 BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 by Janos Sebestyen, Johann Sebastian BachPrelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926Janos Sebestyen, Johann Sebastian BachG Minor26A126 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] by Franz Liszt, Joseph Banowetz6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]Franz Liszt, Joseph BanowetzG Minor06A96 BPM
Sibelius: Finlandia, Op. 26 by Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraSibelius: Finlandia, Op. 26Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraA♭ Major14B150 BPM
The Merry Shepherd Boy by Hu-Wei Huang, Lang LangThe Merry Shepherd BoyHu-Wei Huang, Lang LangG Minor26A112 BPM
Solomon, HWV 67 / Act III: Sinfonia Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba"George Frideric Handel, The English Concert, Trevor PinnockA Major311B118 BPM
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille by George Frideric Handel, Itzhak PerlmanHandel: Keyboard Suite in G Minor, HWV 432: VI. PassacailleGeorge Frideric Handel, Itzhak PerlmanG Minor26A109 BPM
ISRC
GBBBA0600191
Label
L-M Records/RCA Records

Section: 0.6399040222167969

End: 0.6437301635742188