"「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第8楽章:魂はここに、自らの喜びのために" by 雲井雅人サックス四重奏団 was released on October 16, 2013. Since 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第8楽章:魂はここに、自らの喜びのために is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in マスランカ:ソングス・フォー・ザ・カミング・デイ&生命の奇跡, so we believe that "「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第8楽章:魂はここに、自らの喜びのために" is a single. 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第8楽章:魂はここに、自らの喜びのために is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第8楽章:魂はここに、自らの喜びのために by 雲井雅人サックス四重奏団 is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
組曲《展覧会の絵》: キエフの大門 | Modest Mussorgsky, Andrea Battistoni, Tokyo Philharmonic Orchestra | G Major | 1 | 9B | 177 BPM | ||
天雷无妄 | 天野 正道, 文教大学吹奏楽部 | G Minor | 2 | 6A | 79 BPM | ||
「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第4楽章:死者のために | 雲井雅人サックス四重奏団 | A Major | 0 | 11B | 71 BPM | ||
Concertino da camera: I. Allegro con moto | Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 1 | 7B | 69 BPM | ||
組曲「動物の謝肉祭」 7. 水族館 | Camille Saint-Saëns, Sir Charles Groves, フィルハーモニア管弦楽団 | D Minor | 4 | 7A | 149 BPM | ||
Double Concerto for 2 Violins and String Orchestra: II. Adagio | Royal Scottish National Orchestra, Philip Mann, Sharon Roffman, Vesna Stefanovic-Gruppman, Igor Gruppma, Michael Fine | F Major | 1 | 7B | 93 BPM | ||
Kreisler: Liebesleid | Fritz Kreisler, Cocomi, Alexander Gadjiev | D Major | 1 | 10B | 175 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Maurice Ravel: Pavane pour une Infante défunte - Arranged: Mason Jones | Gregory Miller, Ernest Barretta | E Minor | 0 | 9A | 101 BPM | ||
Saxophone Sonata, Op. 19: II. With Tranquility | Paul Creston, Ivo Janssen, Arno Bornkamp | A Major | 0 | 11B | 92 BPM |
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