"Saxophone Sonata, Op. 19: II. With Tranquility" by Paul Creston, Ivo Janssen, Arno Bornkamp was released on August 19, 2002. With this song being about 5 minutes long, at 4:56, "Saxophone Sonata, Op. 19: II. With Tranquility" by Paul Creston, Ivo Janssen, Arno Bornkamp is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Sonatas for Saxophone and Piano". In this album, this song's track order is #2. In terms of popularity, Saxophone Sonata, Op. 19: II. With Tranquility is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saxophone Sonata, Op. 19: II. With Tranquility by Paul Creston, Ivo Janssen, Arno Bornkamp having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L.117: 1. Danseuses de Delphes | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 92 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 5. Fughetta - Allegro vivace | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Major | 1 | 7B | 134 BPM | ||
Prelude No. 3 | George Gershwin, Jon Nakamatsu | E♭ Minor | 3 | 2A | 116 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Ciudades: II. Sarajevo | Guillermo Lago, Fukio Ensemble | E♭ Minor | 0 | 2A | 138 BPM | ||
Tuba Concerto in F Minor: II. Romanza | Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | B Minor | 1 | 10A | 84 BPM | ||
Quintet No. 1 in B-Flat Minor: I. Moderato | Victor Ewald, Center City Brass Quintet | B♭ Minor | 0 | 3A | 68 BPM | ||
ソナタ: ソナタ: III. 陽気に | Paul Creston, Nobuya Sugawa, 小柳美奈子 | D Major | 2 | 10B | 165 BPM | ||
Aria | Eugène Bozza, Koryun Asatryan, Eun Bae Jang | G Minor | 0 | 6A | 69 BPM | ||
Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM |
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