Johann Sebastian Bach, Münchener Bach-Orchester, Münchener Bach-Chor, Ernst Haefliger, Hermann Prey, Karl Richter's 'Johannes-Passion, BWV 245: No. 28, Er nahm alles wohl in acht - No. 29, Und von Stund an nahm sie der Jünger' had a release date set for November 1, 2019. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Karl Richter, Münchener Bach-Orchester's "J.S. Bach: Johannes-Passion, BWV 245" album is number 5 out of 24. On top of that, Italy appears to be the country where this track was created. Johannes-Passion, BWV 245: No. 28, Er nahm alles wohl in acht - No. 29, Und von Stund an nahm sie der Jünger is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Johannes-Passion, BWV 245: No. 28, Er nahm alles wohl in acht - No. 29, Und von Stund an nahm sie der Jünger by Johann Sebastian Bach, Münchener Bach-Orchester, Münchener Bach-Chor, Ernst Haefliger, Hermann Prey, Karl Richter to be Lento (slowly) because the track has a tempo of 54 BPM, a half-time of 27BPM, and a double-time of 108 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Jean-Pierre Wallez, Bruno Rigutto, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | B Minor | 1 | 10A | 66 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |