"Laudes animantium, Op. 61: No. 4, The Lamb" by Kenneth Leighton, Londinium, Andrew Griffiths, Arielle Loewinger, Madelaine Napier was released on May 19, 2023. The duration of Laudes animantium, Op. 61: No. 4, The Lamb is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Laudes animantium, Op. 61: No. 4, The Lamb's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 16 in Every Living Creature by Kenneth Leighton, Londinium, Andrew Griffiths. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Laudes animantium, Op. 61: No. 4, The Lamb's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Laudes animantium, Op. 61: No. 4, The Lamb by Kenneth Leighton, Londinium, Andrew Griffiths, Arielle Loewinger, Madelaine Napier is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Mass in D major, Op. 86: 5. Benedictus | Antonín Dvořák, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston | G Major | 0 | 9B | 85 BPM | ||
Veris Gratia, Op. 9: I. Lento sostenuto | Kenneth Leighton, Vernon Handley, Royal Liverpool Philharmonic Orchestra, Raphael Wallfisch, George Caird | C Major | 1 | 8B | 75 BPM | ||
O Danny boy - SATB | Bob Chilcott, The Oxford Choir | D Major | 0 | 10B | 135 BPM | ||
An Easter Sequence | Kenneth Leighton, Salisbury Cathedral Boys & Girls Choir, David Halls, Simon Lole | E Minor | 2 | 9A | 75 BPM | ||
The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
Mass for Double Choir: Agnus Dei | Frank Martin, Mikaeli Chamber Choir, Anders Eby | E Minor | 0 | 9A | 125 BPM | ||
Abide with me | William Henry Monk, Choir of St John's, Elora, Paul Halley | E♭ Major | 1 | 5B | 157 BPM | ||
Missa Praeter rerum seriem: VI. Agnus Dei I | George de La Hèle, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
Lully, lulla, thou little tiny child | Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson | C Major | 1 | 8B | 78 BPM |
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