"Veris Gratia, Op. 9: I. Lento sostenuto" by Kenneth Leighton, Vernon Handley, Royal Liverpool Philharmonic Orchestra, Raphael Wallfisch, George Caird was released on July 1, 1986. Since Veris Gratia, Op. 9: I. Lento sostenuto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Finzi: Cello Concerto - Leighton: Veris Gratia by Vernon Handley, Royal Liverpool Philharmonic Orchestra, George Caird, Raphael Wallfisch. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Veris Gratia, Op. 9: I. Lento sostenuto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Veris Gratia, Op. 9: I. Lento sostenuto by Kenneth Leighton, Vernon Handley, Royal Liverpool Philharmonic Orchestra, Raphael Wallfisch, George Caird is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les fleurs et les arbres | Camille Saint-Saëns, En Kör | E Major | 1 | 12B | 133 BPM | ||
Alleluia Cognoverunt discipuli | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | E♭ Major | 2 | 5B | 85 BPM | ||
Mass for unaccompanied double choir: I. Kyrie | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 137 BPM | ||
Drop down, ye heavens, from above | Judith Weir, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D Minor | 1 | 7A | 77 BPM | ||
Daemon Irrepit Callidus | György Orbán, The St. Olaf Choir, Anton Armstrong | A Minor | 1 | 8A | 118 BPM | ||
Peace I Leave With You | Amy Beach, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 1 | 5B | 79 BPM | ||
Franck: Dextera Domini, FWV 65 | César Franck, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
Sheppard: Missa Cantate - 3b. Dominus Deus Sabaoth | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 1 | 9B | 91 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
TUVAYHUN: VI. What is Peace? | Kim André Arnesen, Charles Anthony Silvestri, Nidarosdomens jentekor, TrondheimSolistene, Ruth Potter, Anita Brevik | F Major | 3 | 7B | 72 BPM |
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