"Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking)" by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff was released on January 1, 1986. The duration of Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Schnittke: Concerto grosso No.1; Quasi una sonata; Moz-Art à la Haydn". In this album, this song's track order is #4. In terms of popularity, Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking) by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Pieces, Op. 39: III. Berceuse | Reinhold Glière, Sonia Wieder-Atherton, Raphaël Oleg | G Major | 0 | 9B | 95 BPM | ||
Trombone Concerto (arr. A. Schnittke): II. Nocturne | Alfred Schnittke, Henri Tomasi, Christian Lindberg, Tapiola Sinfonietta, Osmo Vänskä | D♭ Major | 0 | 3B | 60 BPM | ||
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
Schnittke: Piano Quartet | Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya | G Minor | 3 | 6A | 103 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM |
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