"It Always Rains on Sunday Suite: III. Farewell and Getaway - Epilogue - End Titles" by Georges Auric, Rumon Gamba, BBC Philharmonic Orchestra was released on September 1, 1999. Since It Always Rains on Sunday Suite: III. Farewell and Getaway - Epilogue - End Titles is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 28 in the song's album "The Film Music of Georges Auric". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United Kingdom. It Always Rains on Sunday Suite: III. Farewell and Getaway - Epilogue - End Titles is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With It Always Rains on Sunday Suite: III. Farewell and Getaway - Epilogue - End Titles by Georges Auric, Rumon Gamba, BBC Philharmonic Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Salut d' Amour, Op. 12 | Edward Elgar, Min Kym | E Major | 1 | 12B | 86 BPM | ||
The Titfield Thunderbolt Suite: II. The Triumph of the Thunderbolt | Georges Auric, Rumon Gamba, BBC Philharmonic Orchestra | C Major | 2 | 8B | 79 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
Prelude in D Major | Chad Lawson | A Major | 1 | 11B | 74 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin) | Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies | B♭ Major | 1 | 6B | 90 BPM | ||
Lullaby (Wiegenlied) | Johannes Brahms, David Hays, Peter Collins | E♭ Major | 2 | 5B | 126 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Une amitié | Philippe Rombi | C Major | 2 | 8B | 83 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
The Lily - Piano Version | Gabríel Ólafs | A Major | 1 | 11B | 87 BPM |
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