Joseph Horovitz, Joë Christophe, Vincent Mussat's 'Sonatina for Clarinet & Piano: III. Con brio' came out on September 3, 2021. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joë Christophe, Vincent Mussat's "Idylle" album is number 3 out of 14. In terms of popularity, Sonatina for Clarinet & Piano: III. Con brio is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonatina for Clarinet & Piano: III. Con brio by Joseph Horovitz, Joë Christophe, Vincent Mussat to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Clarinet and Orchestra, Op. 124: III. Lento | Robert Groslot, Roeland Hendrikx, Brussels Philharmonic | D Minor | 0 | 7A | 62 BPM | ||
Symphony No. 2: Introduction | Christian Lindberg, Göteborg Wind Orchestra | G Minor | 0 | 6A | 73 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
ユーフォニアム協奏曲, 3. Con moto | Joseph Horovitz, 佐藤采香, 清水初海 | E♭ Major | 1 | 5B | 104 BPM | ||
ユーフォニアム協奏曲, 2. Lento | Joseph Horovitz, 佐藤采香, 清水初海 | A Minor | 0 | 8A | 128 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Suite, Op. 54: Andantino cantabile | Ladislav Aloys, Deutsches Horn Ensemble | G Major | 0 | 9B | 93 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM | ||
Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | C Major | 4 | 8B | 144 BPM | ||
Wedding in the Carpathians (1938): Allegro vivo - Moderato - Allegretto | Paul Constantinescu, Oliver Triendl, Norddeutsche Philharmonie, Marcus Bosch | F Major | 0 | 7B | 108 BPM |
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