- BPM
- 137
- Key
- E Minor
- Camelot
- 9A
Brideshead Revisited: No. 20, Near Escape - Adrian Johnston, Terry Davies, BBC Philharmonic Information
- Acousticness
- 90%
- Danceability
- 19%
- Energy
- 10%
- Instrumentalness
- 88%
- Liveness
- 12%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 9%
- Loudness
- -22.701 dB
Summary
"Brideshead Revisited: No. 20, Near Escape" by Adrian Johnston, Terry Davies, BBC Philharmonic was released on September 1, 2008. The duration of Brideshead Revisited: No. 20, Near Escape is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Brideshead Revisited: No. 20, Near Escape's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Adrian Johnston, Terry Davies, BBC Philharmonic, Chris Garrick, John Etheridge, Peter Dixon, Jonathan Scott's "Johnston: Film Music from Brideshead Revisited" album is number 20 out of 24. Based on our statistics, Brideshead Revisited: No. 20, Near Escape's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Brideshead Revisited: No. 20, Near Escape BPM
We consider the tempo marking of Brideshead Revisited: No. 20, Near Escape by Adrian Johnston, Terry Davies, BBC Philharmonic to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Brideshead Revisited: No. 20, Near Escape Key
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Park - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 2 | 8B | 80 BPM | |
 | Tristia für Streichorchester | Johannes Motschmann, NDR Radiophilharmonie, Ben Palmer | B♭ Minor | 1 | 3A | 107 BPM | |
 | Craven's Return | Zbigniew Preisner | F Major | 2 | 7B | 0 BPM | |
 | The Battle of Britain Suite: V. Early Encounter | Ron Goodwin, Rumon Gamba, BBC Philharmonic | A♭ Minor | 2 | 1A | 113 BPM | |
 | Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | |
 | A Betrothal of Friendship | Peter Breiner, Don Gillis | G Major | 1 | 9B | 91 BPM | |
 | A Song of the Night, Op. 19 No. 1, H 74 | Gustav Holst, Andrew Davis, BBC Philharmonic, Tasmin Little | F Major | 0 | 7B | 83 BPM | |
 | Brideshead Revisited: No. 17, Between Dreaming and Waking | Adrian Johnston, Terry Davies, BBC Philharmonic | E Major | 1 | 12B | 92 BPM | |
 | I Missed You | James Shearman, Nick Ingman | E♭ Major | 1 | 5B | 78 BPM | |
 | Impossible Love | Maurizio Malagnini | C Major | 2 | 8B | 118 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5149333477020264
End: 0.5193519592285156