Brideshead Revisited: No. 17, Between Dreaming and Waking
Adrian Johnston, Terry Davies, BBC Philharmonic
Johnston: Film Music from Brideshead Revisited
1:44 September 1, 2008
BPM
92
Key
E Major
Camelot
12B

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Brideshead Revisited: No. 17, Between Dreaming and Waking - Adrian Johnston, Terry Davies, BBC Philharmonic Information

Acousticness
95%
Danceability
21%
Energy
14%
Instrumentalness
93%
Liveness
12%
Loudness
66%
Speechiness
4%
Valence
7%
Popularity
Loudness
-20.249 dB

Summary

"Brideshead Revisited: No. 17, Between Dreaming and Waking" by Adrian Johnston, Terry Davies, BBC Philharmonic was released on September 1, 2008. With Brideshead Revisited: No. 17, Between Dreaming and Waking being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Adrian Johnston, Terry Davies, BBC Philharmonic, Chris Garrick, John Etheridge, Peter Dixon, Jonathan Scott's "Johnston: Film Music from Brideshead Revisited" album is number 17 out of 24. In terms of popularity, Brideshead Revisited: No. 17, Between Dreaming and Waking is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Brideshead Revisited: No. 17, Between Dreaming and Waking BPM

We consider the tempo marking of Brideshead Revisited: No. 17, Between Dreaming and Waking by Adrian Johnston, Terry Davies, BBC Philharmonic to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Brideshead Revisited: No. 17, Between Dreaming and Waking Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6747004985809326

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