"German Requiem, Op. 45: Wie lieblich sind deine Wohnungen" by Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, Valery Gergiev was released on April 29, 2014. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 7 in Brahms: German Requiem, Op. 45 by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus. German Requiem, Op. 45: Wie lieblich sind deine Wohnungen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of German Requiem, Op. 45: Wie lieblich sind deine Wohnungen by Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, Valery Gergiev is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Ewa Podles, Cracow Boys' Choir, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 78 BPM | ||
Palestrina: Missa Papae Marcelli: I. Kyrie | Giovanni Pierluigi da Palestrina, Edward Higginbottom, Choir of New College, Oxford | B♭ Major | 2 | 6B | 75 BPM | ||
Requiem: XIV. Agnus Dei | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra | C Major | 0 | 8B | 173 BPM | ||
Shéhérazade, M. 41: 1. Asie | Maurice Ravel, Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet | D♭ Minor | 1 | 12A | 101 BPM | ||
Symphony No.4 In E Minor, Op.98: 2. Andante moderato | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 69 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM |
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