"Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": 2. Adagio cantabile" by Ludwig van Beethoven, Alfred Brendel was released on January 1, 1993. With this song being about 5 minutes long, at 5:20, "Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": 2. Adagio cantabile" by Ludwig van Beethoven, Alfred Brendel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 22 in Beethoven: Favourite Piano Sonatas by Ludwig van Beethoven, Alfred Brendel. In terms of popularity, Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": 2. Adagio cantabile is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": 2. Adagio cantabile by Ludwig van Beethoven, Alfred Brendel is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Andantino simplice | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | D♭ Major | 0 | 3B | 98 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Violin Concerto In D, Op. 61: 3. Rondo (Allegro) | Ludwig van Beethoven, Fritz Kreisler, Vadim Repin, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 74 BPM | ||
Piano Sonata No.1 in F minor, Op.2 No.1: 4. Prestissimo | Ludwig van Beethoven, Alfred Brendel | A♭ Major | 2 | 4B | 95 BPM | ||
Cello Concerto in E Minor, Op. 85: 3. Adagio | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | G Major | 0 | 9B | 94 BPM |
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