"Evocation" by Peter Sculthorpe, Tamara Anna Cislowska was released on September 5, 2014. The duration of Evocation is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Evocation's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 58 in the song's album "Peter Sculthorpe: Complete Works For Solo Piano". In this album, this song's track order is #6. Based on our statistics, Evocation's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Evocation by Peter Sculthorpe, Tamara Anna Cislowska having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) - Upright Version | Alexander Scriabin, Julius Asal | E♭ Minor | 0 | 2A | 69 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Lyapunov: 6 Morceaux faciles, Op. 59: No. 2, Berceuse d'une poupée | Sergei Lyapunov, Bertrand Chamayou | E Minor | 0 | 9A | 171 BPM | ||
Djilile (arr. S. Wingfield for guitar) | Stephen Wingfield, Peter Sculthorpe, Aleksandr Tsiboulski | G Minor | 0 | 6A | 93 BPM | ||
Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Bruyères, L. 123 | Lavinia Meijer | A♭ Major | 0 | 4B | 70 BPM | ||
Short Piece for Pianoforte No. 2 | Peter Sculthorpe, Tamara Anna Cislowska | E♭ Major | 0 | 5B | 133 BPM |
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