Ludwig van Beethoven, Severino Gazzelloni, Bruno Canino's 'Variationen über 6 Volksweisen, Op. 105: 6. Paddy whack (Irisch)' came out on January 1, 1996. The duration of Variationen über 6 Volksweisen, Op. 105: 6. Paddy whack (Irisch) is about 3 minutes long, at 3:26. Based on our data, "Variationen über 6 Volksweisen, Op. 105: 6. Paddy whack (Irisch)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 34 in Beethoven: Complete Music for Flute by Ludwig van Beethoven, Severino Gazzelloni, Bruno Canino, Georges Janzer, Maxence Larrieu, Arthur Grumiaux. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Variationen über 6 Volksweisen, Op. 105: 6. Paddy whack (Irisch)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Variationen über 6 Volksweisen, Op. 105: 6. Paddy whack (Irisch) by Ludwig van Beethoven, Severino Gazzelloni, Bruno Canino is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Now Sleeps The Crimson Petal (Four Madrigals On Rose Texts): Now Sleeps The Crimson Petal | Paul Mealor, Tenebrae, Nigel Short | F♯ Major | 0 | 2B | 83 BPM | ||
Piano Quartet in E-flat Major, Op.16: II. Andante cantabile | Isaac Stern, Jaime Laredo, Yo-Yo Ma, Emanuel Ax | B♭ Major | 1 | 6B | 62 BPM | ||
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | ||
Battle of the Heroes | John Williams, London Symphony Orchestra | C Minor | 3 | 5A | 90 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
Amor dormiglione | Barbara Strozzi, Constantinople, Suzie LeBlanc | A Major | 3 | 11B | 106 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Sonata for Bassoon & Cello in B-Flat Major, K. 292: II. Andante | Wolfgang Amadeus Mozart, Matthias Rácz, Rafael Rosenfeld | F Major | 0 | 7B | 132 BPM | ||
Mozart: Les petits riens, K.App.10 (Ballet): 2. Larghetto | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 87 BPM | ||
Gentle Journey to Dreamland | Little Maestro | C Minor | 1 | 5A | 156 BPM |
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