"Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funebre: Lento" by Frédéric Chopin, Istvan Szekely was released on October 5, 1995. Since Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funebre: Lento is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 10 in Chopin: Piano Sonatas Nos. 2 and 3 / Barcarolle in F-Sharp Major / Fantasy-Impromptu by Frédéric Chopin, Istvan Szekely. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funebre: Lento's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funebre: Lento by Frédéric Chopin, Istvan Szekely is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Opus 64 | David Naulin, Robert Stepanian | E Minor | 3 | 9A | 87 BPM | ||
Peer Gynt, Op. 23: No. 15, Prelude. Morning Mood | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 1 | 10B | 67 BPM | ||
Humoresques de concert, Op. 14: Menuet celebre in G Major | Ignacy Jan Paderewski, Balazs Szokolay | G Major | 1 | 9B | 82 BPM | ||
Carousel | Phamie Gow | A Minor | 3 | 8A | 187 BPM | ||
Concerto Pour Piano Et Orchestre No. 2: II. Adagio | Ludwig van Beethoven, François-Frédéric Guy, Philippe Jordan, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 141 BPM | ||
Nocturne in E flat major, Op. 9 no. 2 | Famous Classic Piano | C Major | 2 | 8B | 101 BPM | ||
Company: II. — | Philip Glass, Ulster Orchestra, Takuo Yuasa | F Major | 1 | 7B | 129 BPM | ||
3 Pieces in Baroque Style: No. 1. Aria | Krzysztof Penderecki, Sinfonia Varsovia | B♭ Major | 0 | 6B | 76 BPM | ||
Die vier Jahreszeiten, Op. 8: No. 1, Frühling | Baroque Festival Orchestra, Alberto Lizzio, Alexander Pervomaysky | F Major | 3 | 7B | 76 BPM | ||
hghgjhkhlnyhnhbl | tuctu | F Minor | 6 | 4A | 154 BPM |
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