"Osterkantate, Das ist der Tag: Nicht sterben werd' ich, sondern leben" by Friedrich Zehm, cantus et musica Freiburg, Raimund Hug was released on June 28, 2013. The duration of Osterkantate, Das ist der Tag: Nicht sterben werd' ich, sondern leben is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Osterkantate, Das ist der Tag: Nicht sterben werd' ich, sondern leben's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in cantus et musica Freiburg, Raimund Hug's "Heiller, Kubizek, Orbán, Schilling, Nystedt, Brunner, Wiggins, Zehm, Marx, Lengerich, Kropfreiter & Planyavsky: Resurrexi - Neue Chormusik zur Fasten- und Osterzeit" album is number 21 out of 22. On top of that, Germany appears to be the country where this track was created. Osterkantate, Das ist der Tag: Nicht sterben werd' ich, sondern leben is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Osterkantate, Das ist der Tag: Nicht sterben werd' ich, sondern leben by Friedrich Zehm, cantus et musica Freiburg, Raimund Hug to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mass: Osanna II | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
The Birds Upon the Treetops | Oasis Chorale, Wendell Nisly | B♭ Major | 0 | 6B | 70 BPM | ||
Elias, Op. 70: Hebe deine Augen auf | Felix Mendelssohn, MDR Leipzig Radio Choir, Philipp Ahmann | D Major | 1 | 10B | 81 BPM | ||
Mit Fried und Freud ich fahr dahin, WoO VI/17, No. 8 | Max Reger, Huelgas Ensemble, Paul Van Nevel | C Major | 0 | 8B | 82 BPM | ||
Stabat Mater: IV. Sancta Mater, istud agas | Domenico Scarlatti, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) | Béla Bartók, Schola Hungarica, László Dobszay | C Minor | 0 | 5A | 80 BPM | ||
Mass of the Americas: IV. Offertory "Ave Maria" | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
The Little Litany | St.Petersburg Chamber Choir, Nikolai Korniev | A Minor | 2 | 8A | 75 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
Communion Hymn of Pascha - S. Trubachev | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | B Minor | 0 | 10A | 129 BPM |
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