Edouard Patou made "The Accusation" available on December 29, 2017. With The Accusation being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 1930s Orchestral, Vol. 3, so we believe that "The Accusation" is a single. In terms of popularity, The Accusation is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Accusation by Edouard Patou is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
High Noon - Theme | Dimitri Tiomkin | E♭ Major | 1 | 5B | 136 BPM | ||
Petite Suite Française: I. Prélude | Richard Galliano, South Czech Philharmonic, Miran Vaupotic | C Major | 1 | 8B | 115 BPM | ||
Tour of the Kingdom | Alan Menken, Disney | E Major | 2 | 12B | 102 BPM | ||
Hungarian Dance No.14 In D Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 88 BPM | ||
Finlandia / Sibelius | Jean Sibelius, Bavarian Radio Chorus | A♭ Major | 3 | 4B | 74 BPM | ||
2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM | ||
Der Ritt der Walküre | State Symphony Orchestra of the USSR, Yevgeny Svetlanov | A Major | 3 | 11B | 85 BPM | ||
Carmen Suite No. 1: I. Prelude | Georges Bizet, Slovak Philharmonic, Anthony Bramall | B♭ Major | 1 | 6B | 95 BPM | ||
Romeo and Juliet, No. 1, Op. 64bis: V. Masks | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Major | 3 | 10B | 82 BPM | ||
The Seasons, Op.67: 1. Winter | Alexander Glazunov, Orchestre de la Suisse Romande, Ernest Ansermet | D Minor | 0 | 7A | 113 BPM |
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