"Karelia, Op. 11 : III. Alla marcia" by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko was released on January 1, 2012. With this song being about 5 minutes long, at 5:14, "Karelia, Op. 11 : III. Alla marcia" by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 9 in Finlandia by Saint Petersburg Radio and TV Symphony Orchestra. Based on our statistics, Karelia, Op. 11 : III. Alla marcia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Karelia, Op. 11 : III. Alla marcia by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lemminkäinen (4 Legends), Op. 22 : III. The Swan of Tuonela | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E Minor | 0 | 9A | 73 BPM | ||
Romeo and Juliet, Op.64 - Act 1: At The Capulets' (Preparations For the Ball) | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Major | 0 | 1B | 127 BPM | ||
Raymonda, Act I: Grand Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 179 BPM | ||
Violin Concerto N°1 in D, Op. 6: III. Rondo (Allegro spirituoso) | The London Symphony Orchestra - Gordan Nikolitch (violin) | A Major | 1 | 11B | 103 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
Symphony No.6 in F major, Pastoral, Op. 68 : IV. Gewitter, Sturm (Thunderstorm, Storm), Allegro (attacca:) | Orchestra "New Philharmony" Saint Petersburg, Alexander Titov | F Minor | 3 | 4A | 82 BPM | ||
Symphony No.7 in A major, Op. 92 : IV. Allegro con brio | Tbilisi Symphony Orchestra, Jean-Yves Gaudin | A Major | 3 | 11B | 72 BPM | ||
Act I: Entree Of Kitri (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 172 BPM | ||
Bridal Procession, Op. 19 No. 2 | Edvard Grieg, Yuri Temirkanov | A♭ Major | 0 | 4B | 72 BPM | ||
Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | Franz Joseph Haydn, European Festival Orchestra, Johann Walter | E♭ Major | 2 | 5B | 138 BPM |
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