Henryk Wieniawski, Jascha Heifetz made "Scherzo tarantelle, Op. 16" available on 1971. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jascha Heifetz's "Heifetz: Encores" album is number 1 out of 14. In terms of popularity, Scherzo tarantelle, Op. 16 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Scherzo tarantelle, Op. 16 by Henryk Wieniawski, Jascha Heifetz to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Rondo in G Minor, Op. 94, B. 181: Rondo in G Minor for Cello and Orchestra, B. 181 (Op. 94) | Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra | D♭ Minor | 0 | 12A | 169 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | E Major | 1 | 12B | 95 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Schön Rosmarin | Fritz Kreisler, Joshua Bell, Paul Coker | G Major | 1 | 9B | 107 BPM | ||
Brahms: Violin Sonata No. 3 in D Minor, Op. 108: IV. Presto agitato | Johannes Brahms, Renaud Capuçon, Nicholas Angelich | G Major | 0 | 9B | 73 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Violin Sonata in A major, FWV 8: III. Recitativo-Fantasia. Ben moderato - Molto lento | César Franck, Joshua Bell, Jeremy Denk | D Major | 0 | 10B | 132 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: I. Allegro | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | A Major | 1 | 11B | 121 BPM | ||
L'École moderne - Études-Caprices, Op. 10: Le Chant du Bivouac | Henryk Wieniawski, Justyna Jara | D Major | 1 | 10B | 122 BPM |
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