On June 5, 2019, the song "La mia canzone" was released by Francesco Cimmino, Francesco Paolo Tosti, Julian Jootaek Kim, Young Min Lee. The duration of La mia canzone is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. La mia canzone's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Julian Jootaek Kim, Young Min Lee, Jong Ho Park's "Italiana" album is number 7 out of 15. On top of that, South Korea appears to be the country where this track was created. In terms of popularity, La mia canzone is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of La mia canzone by Francesco Cimmino, Francesco Paolo Tosti, Julian Jootaek Kim, Young Min Lee to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hubička, JB 1:104 "The Kiss": Vendulka's Lullaby, Hajej, Můj Andílku "Hush-a-Bye, My Angel" | Opera Australia Orchestra, Nicole Car | A Minor | 1 | 8A | 68 BPM | ||
In Windsor Forest: No. 3, Falstaff and the Fairies | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Rachel Ambrose Evans | G Major | 1 | 9B | 79 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Paquette y Claudio / Plaza de la Greve / Aparición de Esmeralda / Tentación de Claudio / Rapto de Esmeralda | Angel Mahler, Pepe Cibrián Campoy | E Minor | 4 | 9A | 80 BPM | ||
Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Alice Coote | D Major | 2 | 10B | 148 BPM | ||
Puccini: Il tabarro: "Segui il mio esempio - bevi!" (Il Tinca, Giorgetta, Il Talpa, La Frugola) | Giacomo Puccini, Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/Elena Zilio/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | D Minor | 0 | 7A | 86 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Chausson: Le Charme | Gérard Souzay | E♭ Major | 1 | 5B | 98 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Annelies (chamber version): XI. Passing of time | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | D Minor | 1 | 7A | 63 BPM |
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