"Gagarin - En Romfartsopera: Fallskjermen" by Håkon Berge, Jon Bing, Tor Åge Bringsværd, Stavanger Symphony Orchestra, Grex Vocalis, Åshild Kyvik Bauge, Joachim Knoph Beisvåg, Folke Bengtsson, Eivind Bøksle, Espen Fegran, Anine Kruse Skatrud, Hilde Torgersen, Siri Torjesen, Per Vollestad was released on 1996. With Gagarin - En Romfartsopera: Fallskjermen being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 34 out of 37 in Berge: Gagarin - En Romfartsopera by Håkon Berge, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Gagarin - En Romfartsopera: Fallskjermen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gagarin - En Romfartsopera: Fallskjermen by Håkon Berge, Jon Bing, Tor Åge Bringsværd, Stavanger Symphony Orchestra, Grex Vocalis, Åshild Kyvik Bauge, Joachim Knoph Beisvåg, Folke Bengtsson, Eivind Bøksle, Espen Fegran, Anine Kruse Skatrud, Hilde Torgersen, Siri Torjesen, Per Vollestad is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Open to Me the Gates of Righteousness | Daniel Pinkham, Elizabeth C. Patterson, James Jordan, Gloriae Dei Cantores | D Major | 1 | 10B | 123 BPM | ||
Considering Matthew Shepard: Passion, 29. Pilgrimage | Craig Hella Johnson, Conspirare | A Major | 0 | 11B | 96 BPM | ||
Modimo, reboka Wena - Directed by John Woodland | University of Cape Town Choir | F♯ Minor | 2 | 11A | 120 BPM | ||
Mass in D Major, Op. 86, B. 153: IV. Sanctus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 2 | 10B | 140 BPM | ||
Láska opravdivá, JW IV/8 | Leoš Janáček, Prague Philharmonic Choir, Josef Veselka | F♯ Major | 5 | 2B | 102 BPM | ||
The Blessing of Aaron | McFarland High School A Cappella Choir | D♭ Major | 1 | 3B | 85 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Den blida vår är inne | Hägerstens Kammarkör | A Major | 1 | 11B | 79 BPM | ||
Kuin hiipuva hiillos | Oskar Merikanto, Lauri Nurkkala, Severi Nyman, Kamarikuoro Sofia Magdalena | B♭ Minor | 0 | 3A | 74 BPM |
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