Erich Wolfgang Korngold, Sarah Wegener, Birger Radde, Frank Buchwald, Werner Klockow, Anna-Lucia Leone, Sebastian Reich, Lena Laferi, Jutta Lauer, Franziska Gundert, Holst Sinfonietta, Klaus Simon's ' "Die Stumme Serenade (The Silent Serenade), Op. 36: Act I: Melodram (Andrea, Louise, Mannequins 1-3)" was released on its scheduled release date, January 3, 2012. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Erich Wolfgang Korngold, Klaus Simon's "Korngold: Die Stumme Serenade" album is number 4 out of 51. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Die Stumme Serenade (The Silent Serenade), Op. 36: Act I: Melodram (Andrea, Louise, Mannequins 1-3) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Die Stumme Serenade (The Silent Serenade), Op. 36: Act I: Melodram (Andrea, Louise, Mannequins 1-3) by Erich Wolfgang Korngold, Sarah Wegener, Birger Radde, Frank Buchwald, Werner Klockow, Anna-Lucia Leone, Sebastian Reich, Lena Laferi, Jutta Lauer, Franziska Gundert, Holst Sinfonietta, Klaus Simon to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir de Florence, Op. 70 TH 118: I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Carmen Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D♭ Major | 1 | 3B | 115 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
The Oath And The Black Arrow - Re-record | Erich Wolfgang Korngold | A Major | 1 | 11B | 136 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM |