"Pushkinskiy venok: No. 7. Zorju bjut (Reveille is Sounded)" by Georgy Sviridov, Novosibirsk Chamber Choir, Moscow Chamber Choir, Vladimir Minin was released on February 1, 2016. With this song being about 5 minutes long, at 4:48, "Pushkinskiy venok: No. 7. Zorju bjut (Reveille is Sounded)" by Georgy Sviridov, Novosibirsk Chamber Choir, Moscow Chamber Choir, Vladimir Minin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Georgy Sviridov, Various Artists, Vladimir Fedoseyev, Vladimir Minin's "G. Sviridov: The Snow Storm & Pushkin's Garland" album is number 16 out of 19. On top of that, United States appears to be the country where this track was created. In terms of popularity, Pushkinskiy venok: No. 7. Zorju bjut (Reveille is Sounded) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pushkinskiy venok: No. 7. Zorju bjut (Reveille is Sounded) by Georgy Sviridov, Novosibirsk Chamber Choir, Moscow Chamber Choir, Vladimir Minin to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere | Antonio Lotti, Cantores Minores Ensemble, Filip Hayrynen | A♭ Minor | 2 | 1A | 109 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
All-Night Vigil, Op. 37: O come and worship | Sergei Rachmaninoff, State Symphony Capella of Russia, Valery Polyansky | B Major | 1 | 1B | 126 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Come, let us worship | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | D♭ Minor | 1 | 12A | 67 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Liturgical Chants: Ave Maria | Valentin Silvestrov, Karlis Rutentals, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 82 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM |
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