- BPM
- 143
- Key
- E Minor
- Camelot
- 9A
The Lord of the Rings - The 2 Towers: Suite - Jerry Brubaker, Howard Shore, Royal Liverpool Philharmonic Orchestra, Carl Davis Information
- Acousticness
- 90%
- Danceability
- 14%
- Energy
- 16%
- Instrumentalness
- 94%
- Liveness
- 11%
- Loudness
- 72%
- Speechiness
- 3%
- Valence
- 4%
- Popularity
- 11%
- Loudness
- -16.571 dB
Summary
"The Lord of the Rings - The 2 Towers: Suite" by Jerry Brubaker, Howard Shore, Royal Liverpool Philharmonic Orchestra, Carl Davis was released on November 1, 2007. Since The Lord of the Rings - The 2 Towers: Suite is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Royal Liverpool Philharmonic Orchestra, Carl Davis's "Grands thèmes du cinéma" album is number 8 out of 14. Based on our statistics, The Lord of the Rings - The 2 Towers: Suite's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Lord of the Rings - The 2 Towers: Suite BPM
We consider the tempo marking of The Lord of the Rings - The 2 Towers: Suite by Jerry Brubaker, Howard Shore, Royal Liverpool Philharmonic Orchestra, Carl Davis to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The Lord of the Rings - The 2 Towers: Suite Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Shawshank Redemption-Theme From Shawshank Redemption | The Broadway Cinema Band | E♭ Major | 1 | 5B | 80 BPM | |
 | Bach's "toccata and Fugue" (Rollerball) | Friedrich Walter | D Major | 2 | 10B | 99 BPM | |
 | Coming Back Around - From "How To Train Your Dragon" | Silver Screen Sound Machine | D♭ Minor | 4 | 12A | 113 BPM | |
 | A Drive | The Chamber Orchestra Of London | C Major | 4 | 8B | 164 BPM | |
 | Theme from "Armageddon" | Trevor Rabin | A Minor | 5 | 8A | 75 BPM | |
 | Farewell - From "Pocahontas"/Score | Alan Menken | E♭ Major | 1 | 5B | 105 BPM | |
 | Totoro (excerpts) (arr. P. Breiner) | Peter Breiner, Joe Hisaishi, Razumovsky Symphony Orchestra, Long Yu | G Major | 2 | 9B | 70 BPM | |
 | The Thief | Howard Shore | B Minor | 1 | 10A | 113 BPM | |
| Deception | The Chamber Orchestra Of London | D Minor | 1 | 7A | 136 BPM | |
 | Italian Aria - From "Persuasion" | Regency Players | G Minor | 1 | 6A | 120 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5951008796691895
End: 0.6006207466125488