"Bach's "toccata and Fugue" (Rollerball)" by Friedrich Walter was released on 2011. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Very Best of Sci-fi & Fantasy (From Sucker Punch to V for Vendetta) [Original Motion Picture Soundtrack]". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Bach's "toccata and Fugue" (Rollerball) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bach's "toccata and Fugue" (Rollerball) by Friedrich Walter having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Harry Lime Theme - From "The Third Man" | Gertrud Huber | C Minor | 0 | 5A | 145 BPM | ||
Bestiality - 2016 Version | Ennio Morricone, Czech National Symphony Orchestra, Csaba Kiss, Péter Gyüvészi, Stefano Cucci | A Major | 2 | 11B | 114 BPM | ||
Fanfare for the Common Man | Aaron Copland, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | C Major | 4 | 8B | 130 BPM | ||
Bram Stoker's Dracula: The Brides | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 3 | 8A | 47 BPM | ||
Pruit Igoe | Philip Glass | F Major | 2 | 7B | 120 BPM | ||
The Borgias Main Title | Trevor Morris | F Major | 0 | 7B | 74 BPM | ||
Konig der letzten Tage (King of the Last Days): Intrada | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 1 | 9B | 98 BPM | ||
Blood Bag | Junkie XL | D♭ Major | 9 | 3B | 125 BPM | ||
Twilight: Clair De Lune | M&S | D♭ Major | 1 | 3B | 55 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 136 BPM |
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