"Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): I. Preludio: Vivace" by Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Egüez, Gaetano Nasillo, Massimiliano Raschietti was released on October 4, 2011. The duration of Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): I. Preludio: Vivace is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): I. Preludio: Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 48 in Corelli: Sonate per Viola da Gamba & basso continuo, Op. 5 by Arcangelo Corelli, Guido Balestracci. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): I. Preludio: Vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): I. Preludio: Vivace by Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Egüez, Gaetano Nasillo, Massimiliano Raschietti is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
Oboe Quartet in F Major, K. 370: III. Rondeau | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | F Major | 1 | 7B | 85 BPM | ||
Minuet in G Major, BWV Anh. 116 | Carl Philipp Emanuel Bach, Luc Beauséjour | F♯ Major | 1 | 2B | 81 BPM | ||
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM |
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