"Die Walküre, WWV 86B: Magic Fire Music (Arr. Solo Piano by Brassin) - Dc 517_nan" by Richard Wagner, Alfred Grünfeld, Peter Phillips was released on March 24, 2024. With this song being about 5 minutes long, at 4:52, "Die Walküre, WWV 86B: Magic Fire Music (Arr. Solo Piano by Brassin) - Dc 517_nan" by Richard Wagner, Alfred Grünfeld, Peter Phillips is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 30 in Butterflies. Chopin, Liszt & Contemporaries. Piano Essentials from the Golden Age by Peter Phillips, Franz Liszt, Robert Schumann, Felix Mendelssohn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Die Walküre, WWV 86B: Magic Fire Music (Arr. Solo Piano by Brassin) - Dc 517_nan is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Walküre, WWV 86B: Magic Fire Music (Arr. Solo Piano by Brassin) - Dc 517_nan by Richard Wagner, Alfred Grünfeld, Peter Phillips is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": I. Allegro | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 101 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Hört, ihr Riesen!" | Richard Wagner, Claire Watson, Eberhard Wächter, George London, Kurt Böhme, Walter Kreppel, Set Svanholm, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Carmen, Act III: Entr'acte | Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 113 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Introduction | Pyotr Ilyich Tchaikovsky, Orchestre de Paris, Semyon Bychkov | G Minor | 0 | 6A | 110 BPM |
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