"Cello Sonata: IV. Theme - Variations 1-7" by Sally Beamish, Robert Irvine was released on August 31, 2001. Cello Sonata: IV. Theme - Variations 1-7 is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The song is number 14 out of 14 in Beamish: Works for Cello and Piano by Sally Beamish. Cello Sonata: IV. Theme - Variations 1-7 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Sonata: IV. Theme - Variations 1-7 by Sally Beamish, Robert Irvine is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Papae Marcelli: 1. Kyrie | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 2 | 11B | 130 BPM | ||
Jesu, meine Freude | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | E♭ Minor | 1 | 2A | 79 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Ne Irascaris Domine (From 'Cantiones Sacrae I') | William Byrd, Apollo5 | G Major | 1 | 9B | 61 BPM | ||
HFTMRF | KNOXVILLETRACKZ | N/A | N/A | N/A | 0 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
The Lion and the Deer: II. Deer | Sally Beamish, Michael Chance, Sebastian Comberti, Paul Archibald, Skaila Kanga, Scott Bywater | A♭ Major | 3 | 4B | 106 BPM |
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