George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury's 'The King shall rejoice: Thou hast prevented him' came out on September 1, 2001. The duration of The King shall rejoice: Thou hast prevented him is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. The King shall rejoice: Thou hast prevented him's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury's "Handel Coronation Anthems" album is number 10 out of 26. The King shall rejoice: Thou hast prevented him is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The King shall rejoice: Thou hast prevented him by George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Fest- und Gedenksprüche, Op. 109: I. Unsere Väter hofften auf dich | Johannes Brahms, Tenebrae, Nigel Short | F Major | 3 | 7B | 127 BPM | ||
The Fairy Queen, Z. 629 / Act 2: Trio: "May the God of Wit inspire" | Henry Purcell, Wynford Evans, Martyn Hill, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 74 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine Jesu | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 83 BPM | ||
Alcina, HWV 34 / Act 1: Questo è il cielo de' contenti | George Frideric Handel, Il Complesso Barocco, Alan Curtis | B♭ Major | 3 | 6B | 148 BPM | ||
Stabat Mater: Virgo virginum praeclara | Agostino Steffani, Daniel Behle, Julian Prégardian, Salvo Vitale, I Barocchisti, Diego Fasolis | C Minor | 2 | 5A | 96 BPM | ||
Birthday Ode 1692 Long may she reign over this isle | The Sixteen | B Minor | 2 | 10A | 64 BPM | ||
Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | ||
Quatre Motets sur des thèmes grégoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury | G Minor | 0 | 6A | 74 BPM | ||
Dido and Aeneas / Act 2: "The Queen of Carthage, whom we hate" | Henry Purcell, David Thomas, Elisabeth Priday, Sara Stowe, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 104 BPM |
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