"Glière: Concerto for Soprano Coloratura, Op. 82: II. Allegro" by Reinhold Glière, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester was released on March 15, 1998. Glière: Concerto for Soprano Coloratura, Op. 82: II. Allegro is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. This song is part of Vocalises by Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester. The song's track number on the album is #10 out of 11 tracks. Glière: Concerto for Soprano Coloratura, Op. 82: II. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Glière: Concerto for Soprano Coloratura, Op. 82: II. Allegro by Reinhold Glière, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Glière: Concerto for Soprano Coloratura, Op. 82: II. Allegro being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Easy Pieces, Op. 43: No. 1, Prélude | Reinhold Glière, Alton Chung Ming Chan | D♭ Major | 0 | 3B | 66 BPM | ||
Phantasiestücke, Op. 88: No. 3, Duett (Arr. for Horn by Martin Owen) | Robert Schumann, Martin Owen, Francesca Dego, Alessandro Taverna | D Major | 0 | 10B | 95 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | ||
Act III - Apotheosis | St. Petersburg State Symphony Orchestra, Reinhold Glière | F♯ Major | 5 | 2B | 99 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Melody, Op. 20, No. 1 | Alexander Glazunov, Jan Vogler, Helmut Branny | D Major | 2 | 10B | 85 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Horn Concerto in B flat, Op. 91: 3. Moderato | Reinhold Glière, Hermann Baumann, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 156 BPM |
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