Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Diana Montague, Geoffrey Moses, Peter Rose, Timothy Robinson's 'The Bartered Bride, Act III Scene III: Quartet "What? Dare he? Would he? You do what?"' came out on October 1, 2005. The duration of The Bartered Bride, Act III Scene III: Quartet "What? Dare he? Would he? You do what?" is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. The Bartered Bride, Act III Scene III: Quartet "What? Dare he? Would he? You do what?"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Smetana: The Bartered Bride". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Bartered Bride, Act III Scene III: Quartet "What? Dare he? Would he? You do what?" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Bartered Bride, Act III Scene III: Quartet "What? Dare he? Would he? You do what?" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Diana Montague, Geoffrey Moses, Peter Rose, Timothy Robinson having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Chaconne in sol maggiore : Variazione 9 | Lazar Berman | G Minor | 0 | 6A | 66 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |
Section: 0.6172423362731934
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