Schumann: Symphonic Etudes, Op. 13: Variation II
Robert Schumann, György Cziffra
Schumann: Études symphoniques, Toccata & Carnaval
3:14 October 1, 2021
BPM
94
Key
D Major
Camelot
10B

Embed

Share Link

Schumann: Symphonic Etudes, Op. 13: Variation II - Robert Schumann, György Cziffra Information

Acousticness
100%
Danceability
44%
Energy
10%
Instrumentalness
95%
Liveness
10%
Loudness
56%
Speechiness
3%
Valence
55%
Popularity
Loudness
-26.364 dB

Summary

Robert Schumann, György Cziffra made "Schumann: Symphonic Etudes, Op. 13: Variation II" available on October 1, 2021. The duration of Schumann: Symphonic Etudes, Op. 13: Variation II is about 3 minutes long, at 3:14. Based on our data, "Schumann: Symphonic Etudes, Op. 13: Variation II" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 38 in the song's album "Schumann: Études symphoniques, Toccata & Carnaval". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, Schumann: Symphonic Etudes, Op. 13: Variation II is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Schumann: Symphonic Etudes, Op. 13: Variation II BPM

With Schumann: Symphonic Etudes, Op. 13: Variation II by Robert Schumann, György Cziffra having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Schumann: Symphonic Etudes, Op. 13: Variation II Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
24 Preludes, Op. 11: No. 4 in E Minor by Alexander Scriabin, Evgeny Zarafiants24 Preludes, Op. 11: No. 4 in E MinorAlexander Scriabin, Evgeny ZarafiantsF Major17B99 BPM
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) by Wilhelm Kempff, George Frideric Handel, Roberto CominatiKeyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano)Wilhelm Kempff, George Frideric Handel, Roberto CominatiG Minor06A60 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzA Minor08A76 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) by Sergei Rachmaninoff, Sergei Babayan12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)Sergei Rachmaninoff, Sergei BabayanA♭ Major04B78 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
Das Wohltemperierte Klavier: Book 2, BWV 870-893: Präludium f-Moll, BWV 881 by Johann Sebastian Bach, András SchiffDas Wohltemperierte Klavier: Book 2, BWV 870-893: Präludium f-Moll, BWV 881Johann Sebastian Bach, András SchiffF Minor04A70 BPM
Kamarinskaya (Air russe varie) by John Field, Miceal O'RourkeKamarinskaya (Air russe varie)John Field, Miceal O'RourkeB♭ Major16B92 BPM
Kol Nidrei - Adagio For Cello, Opus 47 by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimKol Nidrei - Adagio For Cello, Opus 47Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimD Major110B81 BPM
Berceuse, Op. 16 by Gabriel Fauré, Cocomi, Niu NiuBerceuse, Op. 16Gabriel Fauré, Cocomi, Niu NiuA Minor18A129 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin) by Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxElégie in C Minor, Op. 24 (Arr. Parkin)Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxA♭ Major04B88 BPM
ISRC
FRZ110801429
Label
L-M Records/RCA Records

Section: 0.6780171394348145

End: 0.6818332672119141