"Rodrigo / Arr Lenaerts: Concierto de Aranjuez: II. Adagio" by Joaquín Rodrigo, Anneleen Lenaerts, Michel Tabachnik, Brussels Philharmonic was released on October 31, 2014. Rodrigo / Arr Lenaerts: Concierto de Aranjuez: II. Adagio appears to be safe for all ages as it is not explicit. The track order of this song in Anneleen Lenaerts, Michel Tabachnik, Brussels Philharmonic's "Glière, Jongen & Rodrigo: Harp Concertos" album is number 7 out of 8. On top of that, Belgium appears to be the country where this track was created. Rodrigo / Arr Lenaerts: Concierto de Aranjuez: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rodrigo / Arr Lenaerts: Concierto de Aranjuez: II. Adagio by Joaquín Rodrigo, Anneleen Lenaerts, Michel Tabachnik, Brussels Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Façades | Christopher Warren-Green, London Chamber Orchestra, John Harle, Simon Haram | B♭ Major | 1 | 6B | 84 BPM | ||
Meditation | Jules Massenet, Anne Akiko Meyers, Andrew Litton | E Minor | 1 | 9A | 86 BPM | ||
Soledad | Gidon Kremer | E Minor | 0 | 9A | 76 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
Piano Concerto No.5 in E flat major Op.73 -"Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Nelson Freire, Gewandhausorchester Leipzig, Riccardo Chailly | B Major | 0 | 1B | 91 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie) | Christoph Willibald Gluck, Jean-Yves Thibaudet | D♭ Minor | 0 | 12A | 128 BPM |
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