Le Comte Ory / Act 2: "Buvons, buvons"
Gioachino Rossini, John Aler, Francis Dudziak, Nicolas Rivenq, Gino Quilico, Gilles Cachemaille, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner
Rossini: Le Comte Ory
4:32 August 11, 1989
BPM
129
Key
C Minor
Camelot
5A

Embed

Share Link

Le Comte Ory / Act 2: "Buvons, buvons" - Gioachino Rossini, John Aler, Francis Dudziak, Nicolas Rivenq, Gino Quilico, Gilles Cachemaille, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner Information

Acousticness
98%
Danceability
42%
Energy
22%
Instrumentalness
0%
Liveness
11%
Loudness
76%
Speechiness
4%
Valence
27%
Popularity
Loudness
-14.233 dB

Summary

Gioachino Rossini, John Aler, Francis Dudziak, Nicolas Rivenq, Gino Quilico, Gilles Cachemaille, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner's 'Le Comte Ory / Act 2: "Buvons, buvons"' had a release date set for August 11, 1989. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 30 in the song's album "Rossini: Le Comte Ory". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Le Comte Ory / Act 2: "Buvons, buvons"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Le Comte Ory / Act 2: "Buvons, buvons" BPM

With Le Comte Ory / Act 2: "Buvons, buvons" by Gioachino Rossini, John Aler, Francis Dudziak, Nicolas Rivenq, Gino Quilico, Gilles Cachemaille, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Le Comte Ory / Act 2: "Buvons, buvons" Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! by Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeLa fille du régiment / Act 1: Ah! mes amis, quel jour de fête!Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeE♭ Major35B82 BPM
Il barbiere di Siviglia: Overture (Sinfonia) by Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio VarvisoIl barbiere di Siviglia: Overture (Sinfonia)Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio VarvisoE Major212B95 BPM
Les Contes d'Hoffmann / Act 4: Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour"Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio FranceD Major110B101 BPM
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) by Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore KucharSorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra)Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore KucharE♭ Major25B66 BPM
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King by Edvard Grieg, Esa-Pekka SalonenPeer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain KingEdvard Grieg, Esa-Pekka SalonenB Minor210A104 BPM
Il Barbiere di Siviglia: Act II: Ma vedi il mio destino - Pace e gioia sia con voi by Gioachino Rossini, Cesare Sterbini, Salvatore Baccaloni, Giuseppe Di Stefano, Alberto EredeIl Barbiere di Siviglia: Act II: Ma vedi il mio destino - Pace e gioia sia con voiGioachino Rossini, Cesare Sterbini, Salvatore Baccaloni, Giuseppe Di Stefano, Alberto EredeB♭ Major36B127 BPM
Il Barbiere di Siviglia: Ora mi sento by Gioachino Rossini, Cesare Sterbini, Lily Pons, Salvatore Baccaloni, Alberto EredeIl Barbiere di Siviglia: Ora mi sentoGioachino Rossini, Cesare Sterbini, Lily Pons, Salvatore Baccaloni, Alberto EredeA♭ Major14B62 BPM
Beethoven: Symphony No. 6 in F Major, Op. 68 Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. AllegroLudwig van Beethoven, Philadelphia Orchestra, Riccardo MutiD Minor37A107 BPM
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo by Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will HumburgIl barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimoGioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will HumburgG Major09B104 BPM
The Sorcerer's Apprentice by Philharmonia OrchestraThe Sorcerer's ApprenticePhilharmonia OrchestraD♭ Major23B130 BPM
ISRC
NLA508721426
Label
L-M Records/RCA Records