"Requiem: VII. Lacrimosa" by Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Gavin Horsley, Gary Kettel, Rupert Christie, Timothy Rhys-Evans was released on 2005. With this song being about 5 minutes long, at 4:47, "Requiem: VII. Lacrimosa" by Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Gavin Horsley, Gary Kettel, Rupert Christie, Timothy Rhys-Evans is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Requiem". In this album, this song's track order is #7. In terms of popularity, Requiem: VII. Lacrimosa is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: VII. Lacrimosa by Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Gavin Horsley, Gary Kettel, Rupert Christie, Timothy Rhys-Evans having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Gloria in D Major, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | D Major | 4 | 10B | 144 BPM | ||
Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
In These Stones Horizons Sing: IV. In These Stones Horizons Sing | Karl Jenkins, Adiemus, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Bryn Terfel, Nigel Hitchcock, Catrin Finch, Timothy Rhys-Evans | E Minor | 4 | 9A | 84 BPM | ||
Motet in D Major for Choir and Orchestra, K. 618: Ave verum corpus | Latvian National Symphony Orchestra | D Major | 1 | 10B | 114 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
Temani | Serendipity | A Major | 5 | 11B | 133 BPM | ||
Dark Satanic Mills | John Fiddy, David Arch, Gregor F. Narholz, Jeff Leach, Mitch Dalton, Steve Pearce, Frank Ricotti, Gary Kettel, Richard Watkins, Troy Donockley | G Major | 1 | 9B | 65 BPM | ||
Evening Prayer | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Ted Belledin | A Major | 0 | 11B | 133 BPM | ||
Songs of the Auvergne, Book I: 2. Baïlèro | Joseph Canteloube, Sara Macliver, Brett Kelly, Queensland Symphony Orchestra | B♭ Major | 1 | 6B | 92 BPM |
Section: 0.6788244247436523
End: 0.6847214698791504