Gustave Goublier, Les Lunaisiens, Chœur de femmes audomaria de Saint-Omer, Adélaïde Stroesser, Arnaud Marzorati's 'Filles d'ouvrier' came out on November 11, 2022. With Filles d'ouvrier being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Les Lunaisiens, Arnaud Marzorati, Stéphanie D'Oustrac's "Merd'v'là l'hiver: Complaintes des gens de rue" album is number 8 out of 16. On top of that, Belgium appears to be the country where this track was created. Filles d'ouvrier is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Filles d'ouvrier by Gustave Goublier, Les Lunaisiens, Chœur de femmes audomaria de Saint-Omer, Adélaïde Stroesser, Arnaud Marzorati to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Don Quichotte, Act 1: "Alza ! Quand la femme a vingt ans" (Dulcinée, Pedro, Garcias, Rodriguez, Juan, Chœur) | Jules Massenet, Teresa Berganza, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Sogno (Arr. Bleton for Mezzosoprano and Guitar) | Paolo Tosti, Elina Garanca, Raphaël Feuillâtre | A♭ Major | 0 | 4B | 81 BPM | ||
Les Pêcheurs de perles: A cette voix (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | C Major | 1 | 8B | 94 BPM | ||
Armenian Songs: Mankakan aghotq - Hayr Mer - Children's Prayer - Our Father | Komitas, Hasmik Papian, Vardan Mamikonian | D Major | 0 | 10B | 76 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Cari luoghi ov'io passai | Gaetano Donizetti, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace | Wolfgang Amadeus Mozart, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 1 | 6B | 112 BPM | ||
La del manojo de rosas: Act II: Que esta esto muy bajo? Pues yo no me tiro | Pablo Sorozábal, Carlos Álvarez, Ana Ibarra, Galicia Symphony Orchestra, Miquel Ortega | B Major | 1 | 1B | 108 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM |
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