"Brahms: 6 Gesänge, Op. 3: No. 1, Liebestreu (Live)" by Johannes Brahms, Victoria de los Ángeles, Gerald Moore was released on November 8, 2023. The duration of Brahms: 6 Gesänge, Op. 3: No. 1, Liebestreu (Live) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Brahms: 6 Gesänge, Op. 3: No. 1, Liebestreu (Live)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Victoria de los Ángeles in Concert (Live, Royal Festival Hall, 1964) by Gerald Moore, Victoria de los Ángeles, Claudio Monteverdi, Franz Schubert, George Frideric Handel, Joaquín Rodrigo, Johannes Brahms, Manuel de Falla, Ralph Vaughan Williams. The song's track number on the album is #6 out of 21 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Brahms: 6 Gesänge, Op. 3: No. 1, Liebestreu (Live) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Brahms: 6 Gesänge, Op. 3: No. 1, Liebestreu (Live) by Johannes Brahms, Victoria de los Ángeles, Gerald Moore has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Brahms: 6 Gesänge, Op. 3: No. 1, Liebestreu (Live) being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
ヴァイオリン・ソナタ 第2番 イ長調 作品100: 第1楽章: Allegro amabile | Johannes Brahms, Akiko Suwanai, エフゲニー・ボザノフ | A Major | 1 | 11B | 114 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 | Frédéric Chopin, Gabriela Montero | D♭ Major | 0 | 3B | 107 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |
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