Concierto Andaluz for 4 Guitars and Orchestra: 2. Adagio
Joaquín Rodrigo, Los Romeros, Academy of St. Martin in the Fields, Sir Neville Marriner
Rodrigo: Concerto Madrigal/Concierto Andaluz
9:56 January 1, 1982
BPM
144
Key
C Major
Camelot
8B

Embed

Share Link

Concierto Andaluz for 4 Guitars and Orchestra: 2. Adagio - Joaquín Rodrigo, Los Romeros, Academy of St. Martin in the Fields, Sir Neville Marriner Information

Acousticness
94%
Danceability
48%
Energy
20%
Instrumentalness
91%
Liveness
27%
Loudness
55%
Speechiness
4%
Valence
50%
Popularity
Loudness
-26.91 dB

Summary

Joaquín Rodrigo, Los Romeros, Academy of St. Martin in the Fields, Sir Neville Marriner made "Concierto Andaluz for 4 Guitars and Orchestra: 2. Adagio" available on January 1, 1982. Since Concierto Andaluz for 4 Guitars and Orchestra: 2. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Rodrigo: Concerto Madrigal/Concierto Andaluz". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Concierto Andaluz for 4 Guitars and Orchestra: 2. Adagio's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Concierto Andaluz for 4 Guitars and Orchestra: 2. Adagio BPM

With Concierto Andaluz for 4 Guitars and Orchestra: 2. Adagio by Joaquín Rodrigo, Los Romeros, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Concierto Andaluz for 4 Guitars and Orchestra: 2. Adagio Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 2 in F Major, Op. 102: II. AndanteDmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoC Minor05A77 BPM
Encantamiento (Seis Canciones de Cuna) by Carlos Guastavino, Marcela Roggeri, Florent HéauEncantamiento (Seis Canciones de Cuna)Carlos Guastavino, Marcela Roggeri, Florent HéauD Minor07A81 BPM
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) by Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic OrchestraRachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt)Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic OrchestraD Minor27A110 BPM
Mascagni: Cavalleria rusticana: Intermezzo by Pietro Mascagni, Riccardo Muti, Philharmonia OrchestraMascagni: Cavalleria rusticana: IntermezzoPietro Mascagni, Riccardo Muti, Philharmonia OrchestraF Major17B85 BPM
Piazzolla: Oblivion, tango by Astor Piazzolla, Julian Lloyd WebberPiazzolla: Oblivion, tangoAstor Piazzolla, Julian Lloyd WebberD Minor07A81 BPM
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempreAntonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen GunzenhauserD♭ Minor112A86 BPM
Canarios by Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-CampaCanariosGaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-CampaD Major110B103 BPM
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisGrande Messe des Morts: II. Introitus: Requiem aeternam - GraveFrancois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisC Minor15A74 BPM
Nyman: The Heart Asks Pleasure First by Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de ParisNyman: The Heart Asks Pleasure FirstMichael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de ParisA Minor18A108 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): IV. SéguedilleGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezD Major010B176 BPM
ISRC
NLA507718905
Label
L-M Records/RCA Records

Section: 0.7710061073303223

End: 0.7750155925750732