Orchestra del Festival di Montecarlo, Franz-Josef Sumowich's 'Sinfonia No. 6 in Si minore, Op. 74 " Patetica " : Allegro molto vivace' came out on November 29, 2011. Since Sinfonia No. 6 in Si minore, Op. 74 " Patetica " : Allegro molto vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 28 in the song's album "Tchaikovsky : 100 Years". In this album, this song's track order is #2. Sinfonia No. 6 in Si minore, Op. 74 " Patetica " : Allegro molto vivace is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sinfonia No. 6 in Si minore, Op. 74 " Patetica " : Allegro molto vivace by Orchestra del Festival di Montecarlo, Franz-Josef Sumowich having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fille mal gardée / Act 1: 16. Simone - 19. Storm and Finale | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 2 | 6A | 110 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | ||
Eine kleine Nachtmusik in G Major, K. 525: I. Allegro | Opole Philharmonic Orchestra, Werner Stiefel | G Major | 1 | 9B | 133 BPM | ||
Gaîté parisienne: Barcarolle - Excerpt | Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 68 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Le Corsaire, Act 3: Valse de Naila (for Mlle Grantzow) | Adolphe Adam, English Chamber Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 73 BPM | ||
Violin Concerto in F Minor, Op. 8, RV 297 "L'inverno": II. Largo | Jaime Mansilla, The St. Angelis Chamber Orchestra | F Major | 1 | 7B | 147 BPM | ||
Il Lado Dei Cigni, Suite dal Balletto Op.20 | Armonie Symphony Orchestra | E♭ Minor | 1 | 2A | 104 BPM |
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